"Finally, note the silence from the numerous critics of the “Path to 9/11” who objected to the film’s adaptation of the 9/11 report. But that docu-drama clearly identified itself as a fictionalized rendition of a document, and made no claims as history. In contrast, this new genre of journalistic exposé purports to give us the real story of Iraq, but denies us the very tools of determining whether what we are reading is true, half-true, or simply made up."